Lang makes a rocketing start and leads Caracciola and Farina whilst Villoresi’s streamliner falters. (Mercedes-Benz Classic)

Story by Robert Young
Photos courtesy Mercedes-Benz Classic

Read Part 1

The race

The 30-lap race started in searing temperatures and one wonders how Luigi Villoresi was coping in the cramped confines of the streamliner’s cockpit. The track temperature was reported to be some 50 degrees and it was up to 40 degrees in the shade.

The race was to be started by ‘lights’ and by Marshall Balbo waving a flag, and this caused some confusion as the lights flashed before Balbo dropped the flag, and Lang, watching the lights, streaked away. For the Officine A. Maserati it was a disaster – Trossi’s car broke a piston and failed to complete a lap, the streamliner had a gearbox fault and Cortese retired on lap 4.

The late Clyde Berryman’s diorama of the Mellaha pits and timing tower.

Story by Robert Young

The fabulous ‘golden era of motor sport’ of the 1930s was dominated by the silver German Mercedes-Benz and Auto Union racers. The Italian challengers in their brave red Maseratis and Alfa Romeos were outgunned in a motor sporting equivalent of the blitzkrieg. From 1934, when the German teams came on the scene, to 1937, the European Championship ‘750kg’ formula for Grand Prix cars saw engine capacities of up to 6 liters employed, but in 1938 this was reduced to 3 liters and once again the silver cars ruled the roost, with the ‘titans’ driving the Mercedes V12 W154.

Last week, the French Grand Prix in dioramas. This week, Berryman takes us to the ritzy Mediterranean mecca of Monaco. Above, 1955 Monaco GP – The field jostles its way around the Gasworks hairpin right after the race start.

Story and photos by Clyde Berryman

Monaco is perhaps one of the most inspiring locales for the subject of a diorama but both architectural requirements and elevation changes can make it one of the most challenging as well for the builder! To date, I have done four Monaco Grand Prix dioramas as follows per below.

1955 Monaco Grand Prix (Scale: 1-43)

1955 Monaco GP – Fangio (#2) and Moss (#6) grab the early lead in their Mercedes-Benz W196s.

This is a large diorama centered on the Gasworks hairpin right after the race start. The 1955 race had always intrigued me ever since reading the late Chris Nixon’s book ‘Rivals’ which compares the Mercedes-Benz W196 and the Lancia D50, considered the two most revolutionary F.1 designs of that year. This race had its share of unusual events which included Alberto Ascari’s plunge into the harbor with his Lancia D50, the mechanical failure of both Fangio and Moss’s Mercedes-Benz W196s in the same race, and the come-from-behind win for Maurice Trintignant in a slightly outdated Ferrari. The diorama was further inspired by some superb paintings of this race by artists Alfredo de la Maria, Nicholas Watts, and Tony Smith among others.

1955 Monaco GP – Enthusiastic, waving spectators take in the action at the first corner.

The Gasworks hairpin is fortunately about the only level piece of real estate on the entire circuit which helps but if I wasn’t doing a dramatic climb up the “Montee du Beau Rivage’, then I at least wanted some boats, cheering people, and hay bales to try and give it some Monaco atmosphere!

1955 Monaco GP – An aerial view from behind of the field making its way around the Gasworks hairpin at the start of the first lap.

That necessitated placing the circuit up above the sea wall and maybe using a bit of ‘artistic license’ to make sure the tide was high enough to bring the boats and their passengers up close to the action.

1955 Monaco GP – Local gendarmes patrolling among the boats and yachts moored quayside.

I found some generic 1950-60s wooden yachts of about the right scale on E-Bay but they were full-hulled so a neighbor with a complete woodworking shop kindly helped me by carefully sawing off the hulls below the waterline The O-Scale railroad modeling outlets were a good source for trees, street/harbor accessories and for creating figures of cheering spectators, race officials, track marshals, mechanics, well-heeled yacht passengers and even some sunbathers.

1955 Monaco GP – The ‘beautiful people’ getting some sun while spectating in comfort from aboard a yacht!

1963 Monaco Grand Prix (Scale: 1-20)

1963 Monaco GP – An overview of the complete 1/20th scale diorama of the Team Lotus pits.

This medium-small diorama makes use of two Tamiya 1-20 scale plastic kits of the Lotus-Climax 25 and their set of 1960’s pit crew figures. It is a somewhat unusual scale Tamiya has chosen for a variety of F.1 car models rather than going with the more popular 1-18 scale. The cars represent those of Lotus drivers Trevor Taylor (#10) and Jim Clark (#9). Trevor was well-known for his flamboyant yellow driving suit and helmet so I made this the car with the bodywork removed and lots of tools scattered about on the ground alongside.

1963 Monaco GP – Colin Chapman taking a close look at the Coventry-Climax engine of Trevor Taylor’s Lotus 25.

I found custom resin figures of Colin Chapman crouching and Jim Clark standing with his right foot up leaning on something so both of these worked well for this diorama. I also found and enlarged a colorized photo of the Monaco harbor which I used as the backdrop on the display case interior – somewhat visible between and above the trees behind the pit wall. The main theme of this diorama was to convey the impression of Team Lotus working feverishly to get both their cars ready for qualifying during a lull in practice.

1963 Monaco GP – A photographer snaps Jim Clark waiting anxiously with his foot resting on a rear tire of his car.

‘La Belle Epoque*’ (Scale: 1-160 or N-Scale)

‘La Belle Epoque’ – A birds-eye view of a Bugatti-dominated starting grid in the early days of the Monaco Grand Prix.

This diorama is supposed to recreate the festive atmosphere before the race start which seems to come across in so many black and white photographs of the early days of the Monaco Grand Prix. I used the track markings and car colors of the 1929 starting grid, but it is really generic beyond that. This is a much smaller scale and given the amount of architecture along Boulevard Albert 1er, I had to find N-scale buildings which most closely resembled the turn of the century, Mediterranean-style and colors associated with Monaco and the French Riviera. A custom striped-tent, a temporary grandstand, period advertising hoardings, and both French and Monegasque flags add to the ambiance.

‘La Belle Epoque’ – Spectators already packed in their grandstand while others below still search for a good viewing spot.

I found some small toy cars of about the right scale and painted those which looked most like a Bugatti blue (except for ‘Williams’ which is green!), those which might be taken for a Maserati or an Alfa Romeo red, and the big white one (Caracciola’s Mercedes). The most glaring scale error is the width of the tires on these toy cars but that is a sacrifice one has to live with short of casting your own ‘bicycle’-thin tires and then re-mounting these securely on every car!

‘La Belle Epoque’ – Looking from the pit wall through the trees at preparations taking place before the race start.

*While the term “La Belle Epoque” generally refers to the span of time between the Franco-Prussian War and the beginning of WWI, I have used the term in a more general sense here.

‘The Old Station Hairpin’ (Scale: 1-160 or N-Scale)

‘The Old Station Hairpin’ – A mid-1960’s field of Formula One racers winds its way around the slowest corner of the circuit.

This is again a generic early-mid 1960’s scene meant to both re-create Monaco’s most famous (and slowest) hairpin during the days when the Old Station still existed, and to emphasize the steep drop which the cars follow from Mirabeau down to the hairpin and beyond. The toy cars represent generic mid-1960 single-seat racers and while the tires are still too wide, it is not as egregious to the eye as was the case for the ‘Belle Epoque’ era racers.

‘The Old Station Hairpin’ – A close duel taking place against the iconic backdrop of the Old Station building itself.

I painted the cars to represent the most common liveries found on the Formula One cars of this period. The main challenge here was to create the major elevation change you see on the right side of the diorama which had to be built up with blocks of Styrofoam going up into the gardens which lead to the casino.

Fortunately, an old 19th century N-scale railroad station kit with almost the same façade as the Old Station could be found and the addition of lots of small concrete railings, urns, passageways, and the advertising hoardings prevalent at this time help give an overall early-mid 1960’s ‘feel’ to this diorama.

”The Old Station Hairpin’ – An overhead view of the complete diorama, showing the considerable drop in elevation.